genderless - Vintage Jean Paul Gaultier & Junior Gaultier Collections https://juniorgaultier.com An archive of vintage Jean Paul Gaultier and Junior Gaultier collections Wed, 20 May 2026 16:45:54 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://juniorgaultier.com/wp-content/uploads/2023/07/cropped-junior-favicon-32x32.png genderless - Vintage Jean Paul Gaultier & Junior Gaultier Collections https://juniorgaultier.com 32 32 Achieve Your Blonde Ambition in a Special Junior Gaultier Lurex Top “Memories of Buried Pasts, As Time Goes By” F/W 1990/91 https://juniorgaultier.com/achieve-your-blonde-ambition-in-a-special-junior-gaultier-lurex-top-memories-of-buried-pasts-as-time-goes-by-f-w-1990-91/ Wed, 26 Jul 2023 12:16:04 +0000 https://juniorgaultier.com/?p=213 Jean Paul Gaultier’s Fall/Winter 1990–91 collection looks back at past fashion eras and reinterprets them for the present. It blends nostalgia with modern materials and styling. At a glance: Collection: […]

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Jean Paul Gaultier’s Fall/Winter 1990–91 collection looks back at past fashion eras and reinterprets them for the present. It blends nostalgia with modern materials and styling.

At a glance:
  • Collection: Memories of Buried Pasts, As Time Goes By
  • Season: Fall/Winter 1990–91
  • Location: Paris — archival location data unavailable
  • Theme: Nostalgia and vintage glamour
Notable Models:

Helena Christensen, Kate Moss

Person wearing a glittery top in front of a blue wall.

This is a special item from “Memories of Buried Pasts, As Time Goes By” that gives a very posh look to a hoodie! It’s made of lurex, a type of yarn with a metallic appearance. The chevrons are all you need for a pattern with material as glittery as this, and it gives off a very understated glamour. 


Even chevrons can be slinky and fashionable

The chevron is considered one of the oldest symbols in human history. It appeared on pottery throughout the ancient world and in heraldry from the 11th Century until now. These V-shaped symbols are still very much part of the modern world. They are used to denote the rank of military personnel and to warn motorists of sharp bends in the road!

For both the women’s “Les Rap’Pieuses” and the men’s “Rap’sody in Blue” collections of Spring / Summer 1990, almost identical versions in slinkier material and acidic colours were available. These hooded tops were also worn in Madonna’s Blond Ambition tour, which opened in April 1990 in Japan. Madonna personally requested that Gaultier create the tour costumes. You can view runway footage of the men’s “Rap’sody in Blue” collection and footage of the women’s “Les Rap’Pieuses” collection.


Gaultier champions genderless fashion

One of the things I love most about Gaultier is that his clothing blurs the lines between masculine and feminine fashion. In a New York Times interview in 1991, Gaultier recounted working with Madonna, saying, “She knew what she wanted – a pinstripe suit, the feminine corsetry. Madonna likes my clothes because they combine the masculine and the feminine.”

It’s Gaultier’s fearless attitude towards breaking down gender stereotypes that has led him to be one of the great pioneers of the gender-neutral fashion phenomenon that we see today. 

As I can’t find this particular version in any runway footage from Spring / Summer 1990, I’m guessing that, as it appeared in a magazine article from Elle France in July 1990, it was being promoted for the following season. Thank you to @gaultierjuniorhigh on Instagram, whose post I referred to.


Simple sequins

If you could go back in time to the winter of 1990, stroll up Newburgh Street in London, and walk into the Junior Gaultier store, you could buy this dress for £385. The tight lycra has a slight metallic sheen to it, and the sequins sit in bands in between lines of raised embroidery. Simple elegance, but with the average take-home monthly wage for London being £1,050 in 1990, you probably couldn’t afford dinner at L’Escargot on the way home.

young woman wearing fitted dress with black sequins on sleeves

Fair Isle Fantasy

This vest is an example of how difficult it can be to determine which season an item originated in. I’ve seen more intricate Fair Isle patterns with flower and star elements in jumpers from the “Boarding School” collection of fall/winter 1988-89. The “Europe of the Future” collection from fall/winter 1992-93 followed a similar pattern. However, as confirmed by The Face magazine in July 1990, the vest, using deconstructed components of the earlier pattern, is from the fall/winter 1990/91 season.

Fair Isle is one of Scotland’s most remote islands, known for birdwatching, lighthouses, and, of course, its distinctive knitwear. Fair Isle knitting is a technique that dates back to the 18th century. Typical Fair Isle knits use an ‘OXO’ pattern (a combination of lozenge forms ‘Os’ connected with diagonal stripes ‘Xs’), with local knitters including motifs inspired by their surroundings, such as flora, animals, and marine life.

Lady wearing cropped top with flower pattern.

Pollock’s Splatter

As in the men’s Les Pieds Nickelés collection, a Jackson Pollock-inspired splatter pattern makes its way into Memories of Buried Pasts, As Time Goes By, nodding to his “drip technique” of splashing paint onto a horizontal surface.

Woman wearing skirt with paint splatter design.

Contentious catsuits

Relying on some clever detective work for Junior Gaultier expert @gaultierjuniorhigh, who noted that this catsuit was included in the January 1991 issue of the German monthly women’s magazine Petra, we can place this in the collection.

While catsuits can be seen as empowering, worn by strong TV characters such as Catwoman in Batman or Emma Peel in The Avengers, their interpretation is subjective, with many seeing them as overly sexualized or objectifying.


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When was Jean Paul Gaultier’s Junior Gaultier label launched? https://juniorgaultier.com/when-was-jean-paul-gaultiers-junior-gaultier-label-launched/ Wed, 21 Jun 2023 07:01:52 +0000 https://juniorgaultier.com/?p=15 In 1988 Gaultier expanded his brand to include the label Junior Gaultier, a lower-priced line to attract a younger market. That year a Junior Gaultier outfit of a denim ‘pinafore’ […]

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In 1988 Gaultier expanded his brand to include the label Junior Gaultier, a lower-priced line to attract a younger market. That year a Junior Gaultier outfit of a denim ‘pinafore’ and mesh dress was selected by Jeff Banks from the BBC’s The Clothes Show, as the Dress of the Year.

In 1989, Jean-Paul Gaultier designed costume designs for Peter Greenaway’s film “The Cook, The Thief, His Wife and Her Lover’. The shoes below are from the FW 1988-89 “Robin Des Bois” collection and I bought them from an extra who wore them in the film. This makes me wonder what other Junior Gaultier items were featured in the movie.

In 1978 for his first collection, Gaultier partnered with Japanese clothing manufacturer Kashiyama. In 1981 Gaultier changed his partner and Kashiyama continued to produce Gaultier products under licence for Japan and the Far East. In 1989 Kashiyama took a 60 per cent stake in Junior SpA, the Italian manufacturer of the Junior Gaultier line.

In April 1994 Gaultier president Donald Potard announced that the house would be ending its license with Kashiyama for the Junior Gaultier collection and discontinuing the line, making the fall-winter season the last for Junior Gaultier.

Following the news of Jean Paul Gaultier signing a license with Stile Moda of Italy to produce a new unisex line for women and men called JPG, Potard went on to tell Women’s Wear Daily “The aim is to create a line that’s moderately priced and sportswear-oriented. In a sense, we want to get back to what Junior Gaultier was in the beginning — a youthful line that was produced in industrial quantities. Instead, Junior Gaultier got too far away from its original idea and became too expensive.”

The Junior Gaultier name was reused in 2009 for a children’s wear line, which can confuse! Take a look at the collections that the Junior Gaultier line has appeared in.

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